Analysis Features of the style and content of the manuscript of the Three Graces and Lazhah al-Nafais by Haji Ali-Ben-Haji Allahwardi, a Mashhadi tiler
sekofa Bagheri
1
(Ph.D. student, Department of Persian Language and Literature, Shushtar Branch, Islamic Azad University, Shushtar, Iran)
Shabnam Hatampour
2
(Assistant Professor of Persian Language and Literature Department, Shushtar Branch, Islamic Azad University, Shushtar, Iran)
farzaneh sorkhi
3
(Department of Persian Language and Literature, Faculty of Humanities, Islamic Azad University, Shushtar, Iran)
Fereydoun Tahmasabi
4
(Assistant Professor, Department of Persian Language and Literature, Shushtar Branch, Islamic Azad University, Shushtar, Iran)
Keywords: Manuscript, Haji Ali bin Haji Allahwardi, Mashhad tiler, Thalathah al-Arais and Lezhah al-Nafais, stylistics, Safavid era, story writing.,
Abstract :
The past history of this land contains incidents and events that many researches have definitely not mentioned; Therefore, it is clear that the introduction of historical texts of the past plays a very effective role in revealing the obscure and dark corners and secrets of the past. The manuscript of Thālāh al-Araīs wa Līdhah al-Nafīs, by Haji Ali bin Haji Allahwardi, a Mashhadi tiler, is one of the unknown writers of the Safavid era in the twelfth century of the lunar calendar. In this article, the authors introduced the author and his valuable work in a documentary and library method and in a descriptive-analytical way. The subject of the book is the stories that the author has prepared by modifying and distorting famous historical events and traditions.. For this reason, Beaufort has used the old uses of the language. The prose of this book is one of the examples of the 11th century prose. It has prose mixed with order and is full of phrasing, verses and poems of other poets. One of the important features of the text is the repetition and use of long sentences, and among the literary arts, we can mention the types of saja, balance, pun and assonance, which play a very wide role in creating the music of words. Also, similes and metaphors are used a lot. Most of the poems used in the text are from past poets such as Ferdowsi, Saadi and Hafez.
