Studying “Night” key word in Sohrab Sepehri’s poems

Subject Areas : Research Allegory in Persian Language and Literature

Mohammad Kazem Haghshenas ¹ , Umar Safar ²

1 - Doctorate Student of Persian Language and Literature National University of Tajikistan
2 - Master of Persian Language and Literature in National University of Tajikestan

Received: 2012-01-19 Accepted : 2012-04-27 Published : 2012-08-22

Keywords:

Abstract :

  We, in this research, look for considering the position, importance and the method of applying “Night” word from the viewpoint of Sohrab Sepehri, the isolationist poet and reclusive painter. After studying and considering the life and history and the works of this painter poet, the writer concluded that different factors such as mental and spiritual factors in childhood days and political-social factors in young days and in university days, which coincide with Rezakhan despotism and palpitation years and 28th in Mordad in 1332, had a good role in forming his personality and thought and his interpretation especially in explaining “Night” key word. There are the fear of a bugbear in childhood days and fear of the night darkness, which itself is a wandering bugbear for him, or the dark and black space of oppression and palpitation in his era, which Sepehri shows in “Night” interpretation and in symbolic and mysterious language, in his poems. The result of his travelling to and touring in the East and West of the world, after this era, and his familiarity with the cultures, religions and west knowledge and modern and western art and poem is, for him, in order to arrive in a kind of personal knowledge and isolationism and reclusiveness which he takes refuge in himself. After that, “Night” will be great and valuable for him, so that he looks for the water of life in the dark night and, like Hafiz, becomes a Ghadr night in which looks for his own “intellectual draft”.

References:

- ثروتیان بهروز، 1384، صدای پای آب، تهران، نگاه

2- چدویک چارلز، 1375، سمبولیسم، ترجمه مهدی سحابی، تهران: نشر مرکز.

3- حافظ خواجه شمس الدین محمد، 1359، دیوان حافظ شیرازی، تهران: چ دوم، اقبال

4- حقوقی محمد، 1375، سهراب سپهری، تهران: چ ششم، نگاه

5- روزبه محمد رضا، 1381، ادبیات معاصر ایران (شعر)، تهران: روزگار

6- سپهری سهراب، 1370، هشت کتاب، تهران: چ دهم، طهوری

7- شمیسا سیروس، 1370، نقد شعر سهراب سپهری، تهران: چ دوم، مروارید

8- عابدی کامیار، 1386، زندگی و شعر سهراب سپهری، تهران: چ پنجم، نشر ثالث

9- فرخزاد پوران، 1383، زن شبانه ی موعود، تهران: نگاه

10- لنگرودی شمس، 1387، تاریخ تحلیلی شعر نو، ج 1، تهران: نشر مرکز

11- مسیح هیوا، 20/11/1389، شب در شعر نیما

12- یوسفی غلامحسین، 1370، چشمه روشن، تهران: علمی

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