Mystical Nostalgia of Khaju Kermani and Salman Savoji

Subject Areas : Islamic Mysticism

Somayyeh Abdullahi Nejad ¹ , Mohammadreza Zaman Ahmadi ² , Abdurreza Moharreszadeh ³

1 - PhD Student, Department of Persian Language and Literature, Islamic Azad University, Kashan Branch, Kashan, Iran
2 - Assistant Professor, Department of Persian Language and Literature, Islamic Azad University, Arak Branch, Arak, Iran;
3 - Associate Professor, Department of Persian Language and Literature, Islamic Azad University, Kashan Branch, Kashan, Iran

Received: 2021-09-17 Accepted : 2021-09-17 Published : 2021-09-23

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Abstract :

Language is the most important tool for communication by means of which human being can express his or her meanings and various needs. One of such needs is expression of envy, homesickness, and grief for the past called nostalgia. The sense of nostalgia is mingled with the thinking, sensation, and behavior of humankind. In Sufism and Islamic mysticism, nostalgia is remarkable presence having meaningful dimensions and various interpretations. In addition, nostalgia is the most impressive psychological activities in Persian literature, especially in the eighth century for which there are two mystical poets, namely Khaju Kermani and Salman Savoji. This paper investigates through descriptive analytic methodology aimed at the study of the poems by Khaju Kermani and Salman Savoji on the mystical nostalgia to explain the different types of nostalgia and the causes pertinent to that notion from their standpoint. The most significant thing this paper accomplishes is the identification of various factors affecting the mind and thought of the poet and its reflection on the better understanding and relation with their poems. The original staying away from home country and real beloved is the nostalgic themes of their works. The results of this paper explains why Salman Savoji, like Khaju Kermani, has felt the mystical nostalgia arisen from distance from real beloved and original homeland. After a short introduction on the multifaceted concepts of traditional, modern, and postmodern nostalgia, the writer deals with the explanation and account of nostalgic idea and its subdivisions in Khaju Kermani’s and Salman Savoji’s divans with reference to dictionaries and reference sources and articles, and thereafter, he mentions some evidences of their literature for each subject matter.