The Role of Pottery in the Reflection of the Mysticism of Hazin-e-Lahiji

Subject Areas : Islamic Mysticism

Khatereh Esmaeilzadeh ¹ (Phd Student, Persian Language and Literature, Ahar Branch, Islamic Azad University, Ahar, Iran.)
Ramin sadeghinazhad ² (Assistant Professor, Department of Persian Language and Literature, Ahar Branch, Islamic Azad University, Ahar, Iran, *Corresponding Author. [e-mail])
Maryam Mohammadzadeh ³ (Assistant Professor, Department of Persian Language and Literature, Ahar Branch, Islamic Azad University, Ahar, Iran.)

Received: 2022-06-19 Accepted : 2022-06-19 Published : 2022-06-22

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Abstract :

Mysticism in one of the main pillars of persian literature and mystical literature is one of its basic branches; hence poets, whether those who were literally mystic or those who were pretending to mysticism, have used mystical terms in their poems. The main feature of Indian style is the illustration. One of the palpable and accessible element in public life of the most people that poet can do illustration with it, is pottery. Hazin-e-Lahiji by using potteries and tying it with mystical terms has created dynamic imagery and critical- social contents in order to engourage the audionces to turn to love, truth, reproach the ascetic to quit the hypocrisy, discord and finally enlighten the people that shows the hight importance of pottery in reflecting the mysticism of Hakim Lahiji. The high frequency of this images and contents in Lahiji's Divan is big enough to known as a characteristic of his personal style.