A review of the status of the Musnadalia in the book of Anas al-Taibin by Shih Ahmad Jam Namaghi
Subject Areas :
Jan Mohammad Afrazi
1
,
Hamid Tabasi
2
,
Abolghasem Radfar
3
1 - PhD student of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran
2 - Assistant Professor, Department of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran
3 - Department of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran
Keywords: Musandaliyyah, Sheikh Ahmad Jam Namghi, Alam Ma'ani, Anas al-Taibin,
Abstract :
Rhetoric is a method that can be used to influence the listener or reader, and it is divided into three parts: meaning, expression, and innovation. The science of semantics, one of the tools to understand the beauty of a text, can be a suitable criterion in evaluating the poem and text of a poet or writer. In this research, in a descriptive-analytical way and with library tools; The secondary purposes in the rhetorical use of Musnadali's situations in presenting or delaying and addressing, mentioning or omitting, knowing or rejecting, adjectives and binding have been analyzed based on the books of rhetorical sciences. The analysis of the book of Anas al-Taibin shows that the mention of the Musnadaliyya was more important than its removal, and it seems that his goal in both cases of mentioning or removing the Musnadaliyya was to express the content more in the shortest time, with the greatest emphasis. and in presenting and delaying the Musnadali, the presentation of the Musnadali is more important than its delay, and the Sheikh's motivation for presenting and delaying the Musnad Aliya was for the purposes of "putting the Musnad Aliya in the audience's mind" and expressing "pain and sorrow". For more emphasis, Sheikh Ahmad Jam introduced the Musnad Aliyah by adding it to a noun, pronoun, or adjective, and used the Musnad al-Nakrah less than the Masnad al-Marafa.
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