Investigating the linguistic structure of Ali Hatami's Hazardastan series
Subject Areas :
Narges Iraji
1
(Persian language and literature, Faculty of Humanities, Islamic Azad University, Mashhad branch)
Javad Mehraban ghezelhesar
2
(Associate Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran)
Majid Taghavibehbahani
3
(Associate Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran)
Keywords: language, Screenplay, thousand hands, language structure,
Abstract :
The problem of the present research is to discover the aspects of literature in the script of Hazardastan as the most famous work of Ali Hatami. Hatami is one of the most influential characters in Iranian cinema whose unique narratives and dialogues in his scripts are unparalleled in the history of Iranian cinema. But it is unique. To the extent that even some of the dialogues and monologues of his works have become proverbs, and clearly the traces of unique dialogues of his works should be searched in the field of Iranian classical literature. In order to solve the problem and achieve its goal, with a descriptive-analytical method, the literature of Hatami's thousand-hand dialogues has been examined from two aspects: firstly, the aspects of the author's use of rhetorical and aesthetic literary techniques have been studied, and on the other hand, using the theory of intertextuality Borrowing aspects of this work from classical literature have been analyzed. The results of the present research show that, first of all, the literature of the dialogue-oriented text of Hazar Dastan is due to the author's benefit from all kinds of verbal and spiritual literary techniques; It is like a metaphor/animation, simile, irony, alliteration, sarcasm and pun. In the next stage, it was found that Hazardastan is connected with the treasure of Iranian literature using explicit and implicit intertextuality.
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