The relationship between time and the aesthetics of the play "The Crow's Mouth"

Subject Areas :

Leila javaheri ¹ (Art, Humanities, Azad University of Arak, Iran)
Mohammad Reza Sharifzade ² (Professor، Department of Art Study، College of Art، Islamic Azad university، Central Branch،Tehran)
merdad rayani makhsos ³ (Assistant Professor, Faculty of Arts, Islamic Azad University, Central Tehran Branch)

Received: 2022-12-13 Accepted : 2023-06-04 Published : 2023-06-22

Keywords: Gerard Genet, mouth full of crows, structural drama, Play,

Abstract :

Time, as one of the important components of "narrative", has always been one of the important topics of the science of "narrative" and the theorists of this field have discussed it. In the meantime, "Gerard Genet", as the most influential theoretician about the time of the text, has presented an independent theory about the factor of time and its role in the narrative, order And it is often distinguished. Looking at the play as a text with a conventional structure and relying on time, which includes elements such as: confusion, conflict, complexity, suspense, crisis, disaster, and landing, which follow each other in a certain order; The present research intends to use a descriptive and analytical method, while examining the temporality of the narrative play "Dehani Per Ya Kalagh" written by "Jamshid Khanian", to answer the question: what effect does the temporal model used in the play "Dahani Per Ya Kalagh" based on the approach of "Gerard Genet" have on Does this work have a structural aesthetic? Since time is one of the influential components in Jamshid Khanian's dramatic works, this article aims to show, based on the approach of "Gerard Genet", the special temporality used in the play "The Crow's Mouth" as a narrative, in order to plan and discover the hidden cause in The events and payment of the structure, creating suspense and attractiveness for the audience and adding depth and richness to the characters have been effective.