The sociological analysis of woman's image in the poems of Malek al-Shara'i Bahar and Seyyed Ashrafdin Gilani

Subject Areas : comparative literature

Reza Musabadi ¹ , Mahdi Novrooz ² , Batool Fakhreslam ³

1 - Ph.D. student of Farsi Language and Literature, Islamic Azad University, Wazadnashabur-Iran
2 - university azad
3 - university azad

Received: 2018-01-04 Accepted : 2018-04-08 Published : 2018-02-20

Keywords: woman, Malek al-Sha'ra Bahar, Nasim Shomal, constitutional literature,

Abstract :

The woman and its role in the community is one of the issues that has always been considered in the poetic and prose works of Persian literature and has become a worthy place; But the woman in Persian classical literature does not have much positive and worthy face; Because among the poems of the classical poets, the woman's identity is confused and dark and the negative views on her are shadowed by the woman. Since the Constitutional Revolution and with the brief acquaintance of Iranians with Western culture and modern thoughts, the role and identity of women as one of the most important social activists in constitutional poetry has been taken into consideration. This research is to investigate and compare the manifestation of woman's image in the poems of Malek al-Shaara Bahar and Nasim shomal in the Constitutional Revolution, using descriptive-analytical method. One of the most important findings of this research is that the attitude of poets towards women's image has changed in Constitutionalist poetry; For the first time, the themes of this period are related to women's legal and social issues, and women are excluded from absolute love and their rationality, personality, and humanity are explained and analyzed. Both poets also believe in the achievement of women's knowledge, individual rights, and modern teachings; But in terms of freedom of coverage and the issue of hijab, the Spring discovers a veil of freedom from ignorance, while the Nasim shomal requires hijab for the presence of women in the community.