Experience of Urbanscape Essence in International Award Winning Iranian Movies
Subject Areas :
Space Ontology International Journal
Mohammad Iranmanesh
1
,
Djavad Rasooli
2
1 - Assistant Professor, Saba Faculty of Art and Architecture, Shahid Bahonar University of Kerman, Kerman, Iran
2 - M. Arch., Saba Faculty of Art and Architecture, Shahid Bahonar University of Kerman, Kerman, Iran
Received: 2017-11-14
Accepted : 2018-07-19
Published : 2018-09-01
Keywords:
References:
Adibi, A., Goodarzi, P. (2017). Analyzing the Effects of Environmental Recognition on Enhancing the Hidden Natural Landscape of Tajrish River-Valley and its Sociability. Space Ontology International Journal, 6(2), 61-74.
Baharlou, H., (2007). Is Tehran a nice place?. The Film, Volume 14(12), 80-81.
Bentley, I., (2005). Urban transformations: Power, people, and urban design. New York: Routledge.
Bergfelder, T., Harris, S. & Street, S., (2007). Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema. Amsterdam: Amsterdam University Press.
Carmona, M., Heath, T., Oc, T. & Tiesdell, S., (2003). Public Places- Urban Spaces The Dimensions of Urban Design. Oxford: Architectural Press.
Cohen, L., Manion, L. & Morrison, K., (2011). Research Methods in Education. 7th ed. New York: Routledge.
Comolli, J. L. & Narboni, J. P., (1998). Cinema/Ideology/Criticism. In: L. Braudy & M. Cohen, eds. Film Theory and Criticism - Introductory Readings. New York: Oxford University Press, 752-759.
Creswell, J. W., (2014). Research Design, Qualitative, Quantitative, and Mixed Method Approaches. 4th ed. Los Angeles: Sage Publication.
Cullen, G., (1971). The Concise Townscape. Oxford: Architectural Press.
Ejlali , P. & Gohari Pour, H., (2014). Images of Cities In Iranian Films. Social Siences Journal, Volume 50, 229-278.
Groat, L. N. & Wang, D., (2002). Architectural research methods. New York: John Wiley & Sons.
Habibi, M., Farahmandian, H. & Basiri Mojdehi, R., (2015). Reflection of urban space in Iranian cinema A review of the last two decades. Cities, Volume 50, 228-238.
Hallam, J., (2010). City of Change and Challenge’: The Cine-Societies’ Response to the Redevelopment of Liverpool in the 1960s. In: R. Koeck & L. Roberts, eds. The City and the Moving Image Urban Projections. Hampshire: Palgrave Macmillan, 69-87.
Hasani-Nasab, N., (2007). Goodbye Tehran. Film Magazine, Volume 14(12), 78-79.
Hight, C., (2004). Inertia and interiority: 24 as a case study of the televisual metropolis. The Journal of Architecture, 9(3), 369-383.
Koeck, R. & Roberts, L., (2010). The City and the Moving Image urban projections. Hampshire: Palgrave Macmillan.
Kronenburg, R., (2010). Informing Contemporary Architectural and Urban Design with Historic Filmic Evidence. In: R. Koeck & L. Roberts, eds. The City and the Moving Image Urban Projections. Hampshire: Palgrave Macmillan, 222-226.
Lynch, K., (1960). The Image of the City. Cambridge: MIT Press.
Madanipour, A., (1996). Design of Urban Space: An inquiry into a socio-spatial process. Chichester: John Wiley & Sons.
Masoudi, A., (2006). City in Cinema's Aesthetic. Urban Researches, 77-81.
Mazierska, E. & Rascaroli, L., (2003). From Moscow To Madrid: Postmodern Cities, European Cinema. New York: I.B.Tauris & Co Ltd.
Mennel, B., (2008). Cities and Cinema. London and New York: Routledge.
Modarres, A., (2006). Urbanization and the revolution: An introduction to the special issue. Cities, Volume 23(6), 405- 406.
Omid, J., (1995). History of Iran's Cinema. Tehran: Rozaneh.
Peri-Bader, A., (2016). Everyday experience in cinema: The port and the city's margins. Emotion, Space, and Society, Volume 18, 17-26.
Pizarro, R. E., (2011). Urban design and the cinematic arts. In: T. Banerjee & A. Loukaitou-Sideris, eds. Companion to Urban Design. Abingdon: Routledge, 208-217.
Rastin, S., (2009). We Looked at 'Cinema and Architecture' From Phenomenology Point of View. Ayeneh-Khial, Volume 11, 78-79.
Rezapour, M., Bahrainy, S., Tabibian, M. (2017). Analysis and Assessment of Communicative Action Indicators and Variables; a Case of Tehran city, Iran. Space Ontology International Journal, 6(4), 49-58.
Russell, F., (1992). New ways of city viewing. Cities, 9(1), 43-48.
Sadr, H., (2002). An introduction to the political history of Iranian cinema. Tehran: Ney Publications.
Safarian, R., (2005). Cinema and Audience: Genre and Iranian Cinema: Non-audience genera. Farabi, Volume 13(2), 69-74.
Shiel, M. & Fitzmaurice, T., (2001). Cinema and the City: Film and Urban Societies in a Global Context. Oxford: Blackwell.
Strickland, R., (2006). Background into Foreground: Film as a Medium for Teaching Urban Design [Media and the City]. Places, Volume 18(2), 44-51.
Virilio, P., (1997). The Overexposed City. In: N. Leach, ed. Rethinking Architecture: A Reader in Cultural Theory. London: Routledge, 381-390.
Weihsmann, H., (1997). The City in Twilight: Charting the Genre of the ‘City Film’ 1900-1930. In: F. Penz & M. Thomas, eds. Cinema & Architecture: Méliès, Mallet