A study on the role of the landscape design with the approach of solving the limitations of use for women in the coastal areas in Iran as an Islamic country
محورهای موضوعی : Landscape ArchitectureSaman Gheidi 1 , Heshmatollah Motedayen 2 , Maryam Cheshmehghasbani 3
1 - M.A Student on Landscape Architecture, Department of Architecture, Faculty of Civil, Architecture and Art, Pardis Branch, Islamic Azad University, pardis, Iran.
2 - Assistant Professor, Department of Landscape Architecture, College of Fine Arts, University of Tehran, Iran.
3 - Assistant Professor, Department of Architecture, Pardis Branch, Islamic Azad University, Pardis, Iran.
کلید واژه: Balanced use of space, Coastal landscape, Use space at the coastal edge, Privacy, Security,
چکیده مقاله :
The coastal landscape is relatively new and complex category that offers the potential of sharing the sciences of architecture, perspective, nature and the environment, tourism and hospitality, beyond their physical effects on one another, their widespread effects in enhancing identity and the quality of the architectural atmosphere cannot be ignored. Approaches to greeting with beaches in Islamic countries have impressive impact on the interaction of the people in the statistical societies of those countries with coastal landscape architecture. The shores in Islamic countries are controversial textures that according to the formulated policy of each country, how to dealing with are changed. The purpose of this study is analyzing coastal landscape architecture and its position in Islamic countries Like Iran, spatial organization of coastal landscape and the equal use of men and women on the coasts of Iran by analytical-descriptive research method. One of the most important issues is the lack of gender-balanced psychological and spatial use of these coastlines. In many beachfronts, women are ignored and no location, zoning or privacy have been considered for them. In some parts of the coastline, some projects called ‘Salem Sazi’ have created for women which unfortunately pay little attention to elements of architecture, landscaping, aesthetics and the performance is very limited and in no way is it in the dignity of the Iranian lady and Iranian family.
Azad, M., (2014).“Review of three important minerals of Seljuk period (forty girls of Isfahan, Tarikhanehin Damghan and Grand Mosque of Saveh)”,Iranian Journal of Architecture Studies, 3(5), 56-39.
Bakhtiari, M., (2012).“Research on the architecture and decor of the mosque of Sajas in the city of Khodabandeh”, Kondokav Magazine, 4(5), 109-93.
Bozorgmehri, Z., &Khodadadi, A., (2013). The evolution of Iranian architecture from the beginning of the Islamic era to the pre-Mongol invasion, 1st Ed., Tehran: SoroushDanesh.
Golabchi, M., &Javani Dizaji, A. (2013).Technological architecture of Iran, 1stEd., Tehran:Academic publishing
Hamidi, B.,&Khazaei, M., (2011).Introducing and reviewing the adorning of the mosque of Heidariehin Qazvin, MaheHonar Book press, 155, 111-102.
Hatam, G., (2000). Islamic Architecture of Iran during the Seljuk period, 1st Ed., Tehran: JihadeDanishgahi
Karimi, A., (2010). “Introduction to the architecture of the first mosques, considering Tarikhaneh of Damghan”, MaheHonar Book Press, No. 141, pp. 99-92.
Kiani, M., (2013).“The position of decorative artistic art in the architecture of the first Pahlavi era”, the fine arts publication - Architecture and Urbanism, 18( 1), 28-15.
Maherolnaqsh, M. (2002).Iran's Brickwork Legacy, 1stEd., Tehran: Soroush.
Mousavi Ḥahaji, S. R., &Nikbir, M., (2014).Islamic Art Craft, 1st Ed., Tehran: SAMT.
Naima, A. (1997). Dezful: City of bricks. Cultural Heritage.
Olyan, S. M. (2012). Social Theory and the Study of Israelite Religion (Vol. 71). Society of Biblical Lit.
Pakdaman, A., (2013). Iranian Architecture Collections in the Islamic Period, 1st Ed., Tehran: Simaye Danish.
Patts, D., (2012). Anthropology ofIlam, Trans. by Zahra Basti, 4th Ed., Tehran: Poste.
Ramezani, V., (2005).“Investigating the Status of Architecture in Iran with Emphasis on the Concept and Use of Buildings”, Journal of Historical Research, 7( 24& 25).
Rastegari, A., Faqihul-Alaslam Jahromi, M., & Motamed, M., (2015). Brickwork Decorating in Mosques in Iran, Iranian-Islamic National Conference on Architecture and Urban Planning, Payam Noor University of Guilan, Rasht.
Shekofteh, A., Ahmadi, H., Oudbashi, O., (2015). “Brick decoration of Seljuk and its continuity in decorations of Kharazmshahi and Ilkhani era”, Islamic ArchitectureResearchQuarterly, 3(6), 106-84.
Zakeri, S.M. H., &Memarian, Gh. H. (2005).“Grand Mosque of Neyriz”, Fine Arts, No. 24, 71-63.