Comparative Study on the Cocept of Death in John Donne and Molana’s Works
Subject Areas : شعرNarjes Tohidifar 1 , Saeed Asadi 2
1 - Post Graduate, Arabic Language & Literature
2 - Instructor, Faculty Member, Islamic Azad University, Darreh Shahr Branch
Keywords: مولانا, مرگ, Death, Molana, John Donne, جان دان, metaphysical poetry, : باروک, شعر متافیزیکال(فرارونده), Baroque,
Abstract :
The present paper intends to study, research and compare the concept of “Death” in John Donne’s works – the English metaphysical poet in Baroque era in seventeen’s century – and Molana’s – Iranian poet of seventh century. Since two poets are different in their view points but similar in concerning death in their works, this paper initially studies their life styles and then their mythical and religious themes in order to find out the why and how of the concept of death in both poets’ works. The present article aims to study the abovementioned concept as two lines – one as John Donne in Baroque era and the other as Molana and find out the similarities and differences which may make them parallel or crisscross.
کتب فارسی
بهرامی حران، محمدتقی. 1362ش، مجموعه فلسفه و منطق، فلسفه نظری، چاپ سوم، تهران: انتشارات علمی و فرهنگی.
فروزانفر، بدیع الزمان. 1363ش، دیوان شمس، چاپ سوم، تهران: امیرکبیر.
ولک، رنه. 1388ش، تاریخ نقد جدید، جلد اول، ترجمه سعید ارباب شیرانی، تهران: انتشارات نیلوفر.
کتب لاتین
Chittick, William. The Sufi Path of Love: The Spiritual Teachings of Rumi. Albany: State University of New York Press, 1983.
Cocharne, Eric: “The Transition from Renaissance to Baroque: The Case of Italian Historiography”, Wiley, Feb. 1980.
Coffin M. Charles: “The Completed Poetry and Selected Prose of John Donne”, Random House Publishing Group. May 7, 1991.
Donne, John. John Donne’s Poetry. Ed. Clements, A.L. New York: W.W. Norton and Company, 1966.
Hauser, Arnold: “The Social History of Art Volume II”, Rutledge Publications, 1951.
Heyl, C. Bernard: “Meanings of Baroque”. Wiley, The Journal of Aesthetics and Art Criticism, Spring, 1981.
Maravall, Antonio Jose: “Culture of the Baroque, Analysis of a Historical Structure, Trans: Cocharn Terey. University of Minnesota Press, 1986.
Nicholson, Reynold. The Mathnavi of Jalalu’din Rumi. London: Cambridge University Press, 1940.
Sokhanvar, Jalal: “An Abridged Edition History of the Norton Anthology of English Literature”, 11th edition. Eshtiagh Noor Pub., 2011.
Underhill, Evelyn. Mysticism. New York: The World Publishing Company, 1970.
Chittick, William. The Sufi Path of Love: The Spiritual Teachings of Rumi. Albany: State University of New York Press, 1983.
Cocharne, Eric: “The Transition from Renaissance to Baroque: The Case of Italian Historiography”, Wiley, Feb. 1980.
_||_
Bibliography
Coffin M. Charles: “The Completed Poetry and Selected Prose of John Donne”, Random House Publishing Group. May 7, 1991.
Donne, John. John Donne’s Poetry. Ed. Clements, A.L. New York: W.W. Norton and Company, 1966.
Hauser, Arnold: “The Social History of Art Volume II”, Rutledge Publications, 1951.
Heyl, C. Bernard: “Meanings of Baroque”. Wiley, The Journal of Aesthetics and Art Criticism, Spring, 1981.
Maravall, Antonio Jose: “Culture of the Baroque, Analysis of a Historical Structure, Trans: Cocharn Terey. University of Minnesota Press, 1986.
Nicholson, Reynold. The Mathnavi of Jalalu’din Rumi. London: Cambridge University Press, 1940.
Sokhanvar, Jalal: “An Abridged Edition History of the Norton Anthology of English Literature”, 11th edition. Eshtiagh Noor Pub., 2011.
Underhill, Evelyn. Mysticism. New York: The World Publishing Company, 1970.
Bahrami Horan, Mohammad Taghi. A Complex of Philosophy and Logic, Theoretical Philosophy. 3rd ed. Tehran: Scientific and Cultural Publications. 1973.
Foruzanfar, Badiu'zaman. Divan-e- Shams. 3rd ed. Tehran: Amir Kabir Publications. 1974. Wellek. Rene. The History of Modern Criticism. 1st Vol. Trans. Saeid Arbabshirani. Tehran: Nilufar Publications. 2009.
